South Park: Bigger, Longer, and Uncut Continues to Give and Point the Finger

Blame TV. Blame your parents. Blame movies. Blame society. Hell, blame Canada. But whatever you do, blame something, and quickly, before someone thinks of blaming you.

South Park: Bigger, Longer, and Uncut turns 20 this weekend, and for as much as the movie’s Saddam Hussein-heavy, Celine Dion-referencing take on the world is very much of its time, the film nevertheless captures the ways in which American culture would continue to take deeply entrenched, complex cultural problems, and hunt for convenient scapegoats and easy answers in the years to come. There is no issue too inflammatory, no societal malady too multifaceted, that it cannot be oversimplified and laid at the feet of a readily-available boogeyman.

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