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Category Archives: Movies
What The Supreme Court and The Jedi Council Have in Common
Adam Gopnik recently wrote about “Lessons for the Supreme Court from the Jedi Council.” In that article, he puts forward the idea that just as the denizens of the Star Wars universe “seem[] to have an undue cultural investment in the wisdom of the Jedi Council, even in the face of its ineptitude,” so to do Americans unduly venerate a Supreme Court whose inner workings appear “more like the manufacture of after-the-fact rationales designed to give the appearance of footnoted legalism to what are, in truth, the same ideological passions that have the rest of the country in their grip.” Gopnik disclaims the concept of textual interpretation, maintaining that our nation’s highest judicial body resembles its intergalactic counterpart in how it “seems to be functioning on guesswork and mutual hypnosis more than actual expertise.” Accordingly, he concludes that neither the Jedi Council nor the Supreme Court should be afforded nearly so much deference or respect.
The question becomes whether these two august bodies are enough alike to justify such a comparison or conclusion. There are certainly similarities between the two. In The Phantom Menace, the Jedi Council decides, after much deliberation, that Anakin Skywalker should not be trained in the ways of The Force. But Qui Gon Jin (and later Obi Wan Kenobi in his stead) defy that order and decide to teach the boy anyway. In the real world, after the Supreme Court held that same-sex marriage was a right under the Constitution, Texas’s Attorney General soon thereafter announced that despite that decision, under his interpretation Texas officials did not have to abide by the ruling. In both the Star Wars universe and our own, prominent officials have taken Gopnik’s advice to heart and feel free to ignore the high court’s decisions.
Posted in Movies, Sci-Fi Movies
Tagged George Lucas, Law, Star Wars, The Jedi Council, The Supreme Court
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Ranking: Every Pixar Movie From Worst to Best
With the release of Finding Dory, Andrew Bloom joins Dominick Suzanne-Mayer, Allison Shoemaker, and Derrick Rossignol to rank all of Pixar’s feature films.
Posted in Animated Films, Movies
Tagged Cars, Cars 2, Inside Out, Pixar, Ratatouille, Toy Story, Toy Story 3
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How Sexism Ruins Ghostbusters for Everyone, Even the People Who Don’t Care
I’m not especially interested in the new Ghostbusters reboot. Comedy remakes and sequels are a dicey proposition at best. The trailer left me underwhelmed. And despite the fact that I think Kate McKinnon is amazing, the rest of the cast doesn’t really do it for me.
And yet I feel a strong impulse to not only see the film, but also to defend it in the face of the ridiculous backlash it’s received. It had the most “disliked” trailer ever on YouTube. It’s been the recipient of a terribly misogynistic response to the fact that the new film gender-flipped its predecessor. It’s been decried with the usual “destroying my childhood!” rhetoric for daring to remake a classic film with an extra X chromosome or two.
Captain America: Civil War Brings the Superheroic Back Down to Earth
CAUTION: This review contains major spoilers for Captain America: Civil War.
Before Anthony and Joe Russo were directing superhero movies, they worked on a little show called Community about a group of misfits at a community college. The series, oddly enough, had a surprising amount in common with The Avengers. Both were about seven people from different backgrounds who bounced off one another in interesting ways, carried their own unique psychological baggage, and who would still, now and then, come together and do amazing things.
One of the most remarkable things about Community was its mastery of tone. The series was pitched as a comedy, and true to that billing, it was a funny, creative, and occasionally off-the-wall show. And yet it could just as easily shift into something quiet and personal, something unremittingly dark, or even something difficult and complex that lacked the sorts of easy answers seemingly required of all network sitcoms. The Russo brothers brought the same incredible ability to mesh different tones and characters to Captain America: Civil War and translated it onto a much bigger stage without missing a beat.
Because Civil War is hilarious, action-packed, and all kinds of fun. It’s has tons of inventive sequences and fights big and small that are filled with humor and imagination. But at the same time, Civil War is, in its own way, a very dark film about fear, regret, anger, a deep divide and a personal loss. It touches on big ideas like moral responsibility, individual guilt for broader actions, and the dangers of power without boundaries. The film, however, grounds these ideas in its well-developed characters, intimate individual moments, and personal relationships. It’s a smorgasbord of different scenes and settings and moods that can make you laugh, gasp, and feel the tragedy of a given moment, without letting these varying tones clash. And that is one hell of an achievement.
Ranking: Every Marvel Cinematic Universe Hero and Villain
Ahead of the release of Captain America: Civil War, Andrew Bloom and Allison Shoemaker rank every Marvel Cinematic Universe hero and villain–both in film and on T.V.–and decide who would win in a hypothetical fight between each good guy and bad guy.
Fiddler on the Roof and the Movie Behind the Myth
I’ve written about The Citizen Kane Effect — the idea that sometimes a work hailed as a classic can do something so innovative and so essential within the medium, that its techniques become woven into the fabric of how later works present themselves. As a result, modern audiences may consume the original work and walk away unimpressed because the great strides of the past have become commonplace in the present day.
But there’s another, similar phenomenon that can prove challenging to the appreciation of great art. Works within any medium or genre can become such classics that they ascend almost into myth, becoming iconic to the point that even critics and devoted fans forget about the real, warts-and-all work that once earned the lavish praise and became the fodder for that myth-making.
Posted in Classic Films, Movies
Tagged Judaism, Movie Reviews, Musicals, The Seventies
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Batman v. Superman Is a Well-Intentioned, But Deeply-Flawed Mess of a Film
CAUTION: This review contains major spoilers for Batman v. Superman.
There are some good ideas and good intentions behind Batman v. Superman. If you want to make a superhero film, there are worse comic books to crib from than Watchmen, The Dark Knight Returns, and the Doomsday arc. If you’re trying to create a film that owns its four-color roots while also aiming to make some kind of grand statement, there are worse ideas than trying to examine the social and political repercussions of god-like aliens coming to Earth. If you want to add your own bit of shading to a set of time-honored icons, there are worse ways to do it than showing each of them struggling with the legacies of their parents.
But trying to do this all at once requires a deft hand. Trying to do it all with the added requirements of the expected big-budget action sequences, the need to launch a new cinematic universe, and an effort to correct for the perceived missteps of a prior film, would take a miracle-worker. If the balance of all of these disparate elements isn’t just right, instead of the intended depth and complexity, you get a well-meaning, but ultimately incoherent muddle. That’s what the cumbersomely titled Batman v. Superman: Dawn of Justice amounts to — a boldly ambitious, hopelessly flawed, overextended mess of a film.
Posted in Movies, Superhero Movies
Tagged Batman, DCEU, Lex Luthor, Movie Reviews, Superman, Watchmen, Zack Snyder
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The Solid-but-Spiritless Success of Spotlight
It’s hard to say how much knowing what happens in a story affects our enjoyment of it. We live in the age of the spoilerphobe, where nerds like me abandon social media in the days leading up to a major release for fear of having significant plot points or major twists revealed too soon. But in Shakespeare’s day, everyone more or less knew the ending ahead of time, and the lack of novelty didn’t lessen the draw. That’s a reminder that what the story is need not, and arguably should not, overshadow how the story is told.
Which is to say, I’m not sure how much the greater effect of Spotlight was lost on me given that I already knew a decent amount about the molestation scandal within the Catholic Church that played out in the newspapers and on our television screens for years after the time depicted in the film. The movie is, if not exactly a mystery, then certainly a story of the intrepid reporters of the Boston Globe’s “Spotlight” team starting a small investigation and slowly but surely uncovering how widespread a pathology there was.
Posted in Movies, Prestige Pictures
Tagged Boston, journalism, Mark Ruffalo, Michael Keaton, Movie Reviews, Oscars 2016
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Brooklyn and the Merits of Charm and Simplicity in Storytelling
Caution: This review contains major spoilers for Brooklyn.
Dan Harmon, the creator of Community, is known for several things — his trademark bottle of vodka, his tendency to spill his guts to audiences full of strangers, and also his Story Circle. The Story Circle is a device that Harmon uses to create nearly any story he writes or supervises. It consists of eight steps for how a narrative ought to progress under his watch: 1. A character is in a zone of comfort; 2. But they want something; 3. They enter an unfamiliar situation; 4. Adapt to it; 5. Get what they wanted; 6. Pay a heavy price for it; 7. Then return to their familiar situation; 8. Having changed.
Brooklyn is basically “Story Circle: The Movie.” Eilis (Saoirse Ronan) may not have the best life in Ireland, but she is certainly comfortable there. And yet she hopes and wants for a better life than any she could expect to have where she grew up. So she moves to Brooklyn, and the unfamiliarity of her new situation is hammered home in every interaction she has, from the coaching she receives from a more experienced Irish immigrant that she meets on the boat to America, to the snotty comments she hears from the more experienced residents in her boarding house who better understand the local culture, to the homesickness that plagues her in her quieter moments.
Posted in Movies, Prestige Pictures
Tagged Brooklyn, Movie Reviews, New York, Oscars 2016, Period Pieces
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Deadpool: The Anti-Superhero Movie
Caution: This review contains major spoilers for Deadpool.
Deadpool is at its best when it’s making fun of superhero movies. The film feels like a deliberate counter-reaction to the seriousness and prominence of comic book films in pop culture, and in that regard, it’s a wild success. When it fills the opening credits with descriptions of its actors rather than their actual names (e.g. “Moody Teen”, “British Villain”, etc.), features knowing winks to its star’s prior, emerald-tinged efforts as a cape, and plays “Angel of the Morning” behind its freeze-framed mayhem, it’s a statement of purpose, an indication from the very beginning that this is not going to be your average superhero flick and the movie is very much in on the joke.
At the same time, Deadpool is at its weakest when it capitulates to the sober, formulaic demands of its genre, when it hits the expected beats of your typical good guy origin story—a tragic past, a dull antagonist, and a lost love–even as it vociferously proclaims that its “hero” is anything but a good guy. The film does its best to throw in a comedic riff on these moments. Deadpool himself, a.k.a. Wade Wilson, has plenty of playful quips for the movie’s villain, Ajax (Ed Skrein), even as his rival slogs through the usual, perfunctory threat and intimidation routine. And Wilson’s ribald remarks permeate the sad-sack backstory and star-crossed romance that might otherwise hurt the film’s humorous tone.
To this end, the film makes a firm attempt to take some of the edge off of some of its more standard-issue elements—generic baddie Ajax and his wooden henchwoman Angel Dust (Gina Carano) chief among them. But at its core, Deadpool can’t completely run away from the typical superhero movie tropes it ends up employing, even as it’s trying to make fun of them. That drags down the proceedings in the moments where the otherwise off-the-wall film tries to be a little more solemn or conventional.
Posted in Movies, Superhero Movies
Tagged Comic Book Movies, Deadpool, Marvel, Movie Reviews, Ryan Reynolds, X-Men
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