Tag Archives: Angela Abar

The beauty of science fiction is that, in the right hands, it can tell stories that other genres can’t. Strip away the limitations of fact; tap into the power of imagination, and you can conjure scenes and situations the shabby metes and bounds of the real world couldn’t sustain. In the best hands, the absence of those limitations — the combination of fiction and abstraction — allows the author and their audience to reach truths that even the most poignant, most trenchant slice of reality cannot possibly match.

So when Alan Moore and Dave Gibbons imagined a god, a living embodiment of quantum entanglement, they used him to explore the bitter ironies of causality. They traced the lines of cause and effect, jumbled up in one man’s life, to find the knotted ends of detachment and transcendence and omniscience turned predestination. Jon Osterman had, like others before him, come unstuck in time. And his creators, like others before them, used that temporal hash to shine a light on the human condition in ways that linear storytelling wouldn’t allow for.

Jeff Jensen & Damon Lindelof use the same approach to tell a story about love and creation, and about how each produces a yearning for something destined to leave us.

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