Tag Archives: Dianne Lane

Superman is an alien from beyond our solar system, but also a part of humanity. He’s a boy from Kansas, but also a demigod. He is, at once, both the other and the familiar. It’s a duality that director Zack Snyder and screenwriter David S. Goyer explore in Man of Steel, and they demonstrated the similar duality that’s inherent in attempting to adapt Superman for the screen.

In the film, Superman struggles with the tension between his knowledge that he is a living monument to a world and a people who have long since been destroyed and the feeling that he is a part of our world with friends and loved ones who are just as meaningful. By the same token, the film’s creative brain trust (which includes the director of The Dark Knight, Christopher Nolan) struggles to both honor Superman the icon, the character who has come to represent so much over the course of decades of stories in every medium imaginable, and make him a relatable character who movie audiences can connect with.

It was a noble effort, and a difficult one at that, but ultimately, an unsuccessful one as well. At the end of the film, Superman is still more icon than man and more symbol than individual.

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