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Tag Archives: Episode Reviews
Better Call Saul: “Gloves Off” — Tension, Motivation, Moral Codes, and Batman
It’s difficult to build tension and create real stakes in a prequel, and that problem is magnified the closer a film or television show gets to the familiar part of the timeline. If the audience already knows who lives and who dies, and who has to reach a certain point of the story unscathed for that matter, it can mute some of the excitement and intrigue of a particular plotline.
On the other hand, it can also heighten the tension in an episode by spotlighting the mystery between the known beginning and the known ending. As Better Call Saul shows Nacho planning a hit on Tuco, we know that Tuco lives; we know that Mike lives, and thanks to the opening scene in “Gloves Off”, we know that the crafty Mr. Ehrmantraut ends up bruised and battered, presumably in the attempt. All of this raises the question of how we get from Point A to Point B.
Does the hit go wrong? Does Mike beg off from Nacho and catch a beating for his troubles? In true Breaking Bad fashion does some unexpected intervening factor come into play and throw the whole situation out of whack? We don’t know, but we want to know, and that’s just part of the masterful job that BCS does in using its prequel status as a boon and not an obstacle when it comes to holding the audience’s attention.
The Walking Dead: the Pain of a Righteous Kill in “Not Tomorrow Yet”
There has been a great deal of death on The Walking Dead over the years. We’ve seen characters take out hordes of zombies, roving marauders, and even their own as a necessary if-bloody kindness when circumstances require it. But very very rarely has the series shown our heroes as the aggressors in a life-or-death situation.
That’s what made “Not Tomorrow Yet” so interesting and so novel, especially for a series already in its sixth season. Many episodes of the show have examined the morality of killing — when it’s justified, when it’s morally dubious, and how those standards change in the ashes of the world. But it’s never shown “the good guys” engaging in what amounts to a preemptive strike before.
It is, in a word, troubling, even when on paper it makes sense. It’s uncomfortable, even when the audience, by dint of affection and perspective, is on the side of the people doing the killing. It’s meant to be. The Walking Dead has paid lip service to the moral gray areas that emerge when having to decide whether to take a life in something approaching a state of nature, but rarely has it confronted these ideas as directly as it does here.
Posted in Television, The Walking Dead
Tagged Carol Peletier, Episode Reviews, Glenn Rhee, The Walking Dead S06E12, Zombies
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The Walking Dead: a Glimpse of the New World in “Knots Untie”
In the ancient past that is the year 2008, an ambitious (and ultimately disappointing) game, entitled Spore, was released. Nicknamed “SimEverything,” the game was meant to depict the progress of life and civilization across millennia, beginning with single-celled organisms and ending with spacefaring intergalactic communities. Part of Spore’s premise involved splitting the game up into stages based on that progression, starting with ones that let your characters evolve individually and then eventually advancing to others where they would form collectives that traded and went to war with neighboring tribes.
As The Walking Dead moves toward a new stage of world building in “Knots Untie”, I like the idea of the series taking a similar path. For several seasons, we’ve seen the core group of survivors grow and change with their needs changing accordingly. In the beginning, TWD was about Rick surviving on his own and finding his family. Eventually, with the number of survivors swelling after the events of Herschel’s farm and beyond, it became about that group and finding safety and security for more people. This idea was reinforced at the prison, a setting that continued the theme of trying to find a place that offered at least temporary safety, and then struggling to protect it from both the dead and the living.
Posted in Television, The Walking Dead
Tagged Abraham Ford, Episode Reviews, The Walking Dead S06E11, Zombies
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Better Call Saul: Doing the Right Thing for the Wrong Reasons in “Amarillo”
Better Call Saul is great when it comes to contrasts, especially when it comes to its two most significant characters (who are, incidentally, its two legacy characters from Breaking Bad). “Amarillo” depicts Jimmy McGill as a man trying to do the wrong thing, or at least the underhanded thing, and being pushed to do the right one by those closest to him. It also shows Mike Ehrmantraut as a man trying to do the right thing, in the right way, and being pushed toward crime and the seedier side of the place he now calls home because of those closest to him.
Better Call Saul: The Superb Comedy on Display in “Cobbler”
Few shows of this caliber commit to being as funny as Better Call Saul does. The series feature scenes of a man devastated by the hurtful things his brother has said to him, but also shows that same man offering witty bon mots to friends and enemies alike. That’s in line with BCS’s predecessor, a series that could depict a hero-turned-villain demanding that a “colleague” say his name in the desert, but also show that same villain stumbling around in his underwear. And in “Cobbler,” Vince Gilligan & Co. focus on how a stray mutt is struggling to feel at ease in his new home with the big dogs, but then spend plenty of time with their protagonist artfully explaining to a pair of cops what “squat cobbler” is.
The Walking Dead and the Stillness and Joy of “The Next World”
How rare is it to see people on The Walking Dead actually happy? Sure, the show gives its band of survivors the occasional moments of triumph or brief bits of levity, but how long do we ever really get to see the atmosphere around Rick and Daryl and Carl and Michonne be simple and pleasant?
It’s not often, and there’s a reason for that. Happiness and stability are nice for a while; it’s comforting for the audience to see the characters they’ve gotten to know over the years catch a break here and there. And yet too much happiness or too much stability over the long term becomes boring. Storytelling is fueled by conflict. As shows like Parks and Recreation have proven, that conflict doesn’t necessarily have to be dark or dour, but a good show needs real, meaningful obstacles for its characters to hurdle over or the entire enterprise eventually feels too slack to be truly engaging.
But it’s been such a harrowing season for The Walking Dead, and beyond that, a harrowing series from the very start, that it was incredibly refreshing to have an episode like “The Next World” where, more or less, everything was okay. After the gruesome deaths, fireworks, and bombast of “No Way Out”, this was a quieter episode that let its heroes enjoy their victory for a little while before the next great challenge (Negan?) rears its ugly head.
Posted in Television, The Walking Dead
Tagged Carl Grimes, Episode Reviews, Michonne, Rick Grimes, The Walking Dead S06E10, Zombies
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Better Call Saul: Running Over the Same Old Ground in “Switch”
“Switch” isn’t a bad episode of Better Call Saul necessarily. The cold open featuring Jimmy’s misadventures in the mall is quiet and revealing; his main story in the episode has its moments, and Mike’s interaction with his dolt of an employer is the type of humorous vignette that the show does so well. But it’s hard for me to be too over-the-moon about the season premiere for a simple reason — it’s largely a recapitulation of last season’s finale.
Community and Humanity in The Walking Dead‘s “No Way Out”
There were two big themes that emerged in “No Way Out”, and they’re themes that have been with The Walking Dead almost since the beginning: the concept of community and the idea that this post-apocalyptic world can change an individual in profound ways. The episode was certainly a bit overly didactic about these points at times, but for once, it allowed them to dovetail together with a surprising harmony.
The community element of the episode has been telegraphed from at least the beginning of this season, if not long before. Rick has spent so much time decrying the preparedness of the Alexandrians, declaring that they are children of the summer, and drawing a dividing line between them and his own people, that you just knew he was going to turn around and accept them with open arms sooner or later. It was inevitable that some event was going to take place, Rick was going to see that these people had potential, and then eventually, he would embrace them. It’s not even the first time we’ve seen this type of arc with Rick.
Agent Carter: The Different Paths of the Hero and the Villain in “Smoke and Mirrors”
The concept of a backstory episode is something of a cliche. Take one of two characters; cut in some scenes from the past that inform scenes set in the present, and show the contrast between who a person is now who they were along the way to becoming that person. It’s a fairly standard exercise, especially in genre television. But it’s a recurring trope because it’s effective.
To the point, it’s nice to know where Peggy Carter comes from. Hers was definitely the better of the two parallel stories told in “Smoke and Mirrors”, where the show contrasted the ways in which Whitney Frost tried to be something different and was taught to be something more traditional, and the ways in which Peggy Carter tried to be something traditional and was taught to be–true to her nature–something different.
Posted in Marvel Television Shows, Television
Tagged Agent Carter, Episode Reviews, Hayley Atwell, Marvel, Whitney Frost
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Larry David Hosted Saturday Night Live‘s Best Episode in Years
The phrase “Best SNL episode in years” has been thrown around a lot recently. The show has been uneven since the en masse departure of many of biggest stars, and the subsequent influx of new talent That gives fans and critics alike a tendency to overreact to the peaks and valleys that inevitably occur has another era of SNL takes shape and a new cast finds it voice. But this weekend’s outing really was the best show Saturday Night Live has put together since that era began, possibly even going back to the tail end of the last regime.
Much of the credit goes to host Larry David. David, who was briefly a writer on SNL in his pre-Seinfeld days, brought his particular energy to the show, and it paid real dividends from the word go. His monologue was pure Larry, with a tight five that leaned into his self-deprecating, borscht belt humor, touching on everything from his being a bad host, to the advantages of being a rich prick rather than a poor schmuck, to the unimaginable shame of being a young Jewish boy who might have an eating disorder. David has a distinctive style that he used to turn the usual SNL monologue clichés on their head just a bit, and he sold it like a champ.
