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Tag Archives: Episode Reviews
Better Call Saul and the Lines We Cross for Those We Love in “50% Off”
People will go to incredible lengths if something really matters. When someone or something important hangs in the balance, it stirs the blood, pushes us to take chances we wouldn’t otherwise take, and cross lines we wouldn’t normally transgress.
That’s certainly true for Nacho here. If he’s had one consistent character trait over the course of Better Call, it’s that he’s apt to keep things stable and not rock the boat unless he has to. He’s more thoughtful and more calculating than the hot-blooded Salamancas he answers to. But his other consistent throughline is how much he loves his father. That means Nacho will take chances and put himself at risk in ways that he wouldn’t normally do, if it allows him to protect the man who raised him.
Better Call Saul: The Beginning and End of Saul Goodman in “Magic Man”
Five seasons in, and I still don’t know what to make of the flash-forwards to Cinnabon Gene. I always think of The Wire’s approach to these opening vignettes, with the idea that they’re meant to be microcosms of the themes of the season. But that doesn’t seem to fit here, since Gene’s choices largely track with Jimmy’s in the show to date. The cold open shows Gene panicking, worrying that he’s in too deep and looking for a way out, only to decide to take matters into his own hands. That’s been Jimmy’s M.O. for basically the whole series, most recently and notably overcoming his disciplinary suspension despite some serious headwinds.
Watchmen Ticks All its Pieces into Place in “See How They Fly”
When I watched the first batch of episodes from Watchmen, I thought it tossed plenty of interesting balls into the air, but I questioned how and whether it would be able to catch all of them. As I discussed on The Serial Fanaticist podcast, showrunner Damon Lindelof (of Lost fame) is not necessarily known for delivering satisfying endings. His new series asked all sorts of intriguing questions about powerful institutions and those marginalized by them, and it threw in one eyebrow-raising plot point after another. But to answer all of the former and resolve all of the latter, seemed like too much for even the smartest [person] in the world to do in a satisfying way.
And yet, somehow, “See How They Fly” does it.
Posted in Other Prestige Dramas, Television
Tagged Damon Lindelof, Dr. Manhattan, Episode Reviews, HBO, Watchmen, Watchmen S01E09
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The Simpsons Plays the Old Favorites with Sideshow Bob and a Former Foe in “The Great Louse Detective”
The Simpsons has certain traditions that are never going away. As long as the series stays on the air (and in the good graces of the Disney corporation), there will always be Treehouse of Horror episodes. There will always be “the Simpsons are going to ____!” episodes. And, of course, there will always be Sideshow Bob episodes. The show may have changed a great deal over the past thirty years, but some things are too ingrained in The Simpsons’s DNA for the show to move on.
Thankfully, one of those indelible elements is Kelsey Grammer, whose mellifluous baritone has graced episodes both great and god-awful over his three-decade tour of duty. Fortunately, “The Great Louse Detective” leans more toward the former than the latter, if only just barely. As I discussed on The Simpsons Show Podcast, this episode manages to inch its way toward quality, due in no small part to the presence of Springfield’s favorite attempted murderer. (But we like you too, Fat Tony!)
Posted in Television, The Simpsons
Tagged Al Jean, Episode Reviews, Homer Simpson, Sideshow Bob, The Simpsons Season 14
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Watchmen and the Inscrutability of Love and Creation in “A God Walks into Abar”
The beauty of science fiction is that, in the right hands, it can tell stories that other genres can’t. Strip away the limitations of fact; tap into the power of imagination, and you can conjure scenes and situations the shabby metes and bounds of the real world couldn’t sustain. In the best hands, the absence of those limitations — the combination of fiction and abstraction — allows the author and their audience to reach truths that even the most poignant, most trenchant slice of reality cannot possibly match.
So when Alan Moore and Dave Gibbons imagined a god, a living embodiment of quantum entanglement, they used him to explore the bitter ironies of causality. They traced the lines of cause and effect, jumbled up in one man’s life, to find the knotted ends of detachment and transcendence and omniscience turned predestination. Jon Osterman had, like others before him, come unstuck in time. And his creators, like others before them, used that temporal hash to shine a light on the human condition in ways that linear storytelling wouldn’t allow for.
Jeff Jensen & Damon Lindelof use the same approach to tell a story about love and creation, and about how each produces a yearning for something destined to leave us.
Posted in Other Prestige Dramas, Television
Tagged Angela Abar, Damon Lindelof, Dr. Manhattan, Episode Reviews, HBO, Watchmen, Watchmen S01E08
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Why “The Frying Game” Is a Dark Horse Contender for The Simpsons’s Worst Episode Ever
Spare me your jockey elves. Forget your spring break alligators. Cast aside your amorous pandas and bar rags and even your Gagas. My poor lost souls, I beseech you to look upon thy screamapillar and weep — weep for us all.
Because “The Frying Game” may very well be The Simpsons’s worst episode ever.
As I discussed on The Simpsons Show podcast, I don’t make that pronouncement lightly. It’s hard to call “The Frying Game” overrated exactly — forgotten is probably more accurate — but it’s rarely brought up in discussions of the series’s nadir. And yet it deserves to be ground into the dirt like the fetid excuse for televised refuse that it is. What the episode lacks in the casual cruelty of other contemporary Simpsons outings, or the aimless racism of the show’s more regrettable international jaunts, it makes up for in being emblematic of everything wrong with the series at this point in its run. It is a nonsensical, irritating, embarrassing blight upon the face of what was once the greatest show on television.
The Simpsons Is Born Again in “She of Little Faith”
Season 13 was a time of transition for The Simpsons. The show would burn off the last handful of episodes overseen by superfan punching bag, Mike Scully. Al Jean (who’d supervised seasons 3 and 4 with writing partner Mike Reiss) would return to take the reins after almost a decade away. And the show gradually shifted from its manic decline to its comfortable persistence. The result, as I’ve discussed before, was a season of television that called back to the classic era Jean had been a part of, that still found itself subject to some of the worst habits of the Scully administration, and that previewed the steady anodyne march of years that would possess the show for the next [gulp] two decades.
But as I discussed on The Simpsons Show Podcast, the opening episode of Jean’s second tour of duty, “She of Little Faith”, gave fans a glimmer of hope. Make no mistake, the episode still has some of the telltale signs of the prior regime’s failings. The pacing is a little nuts. There are some overly cartoony gags. And at times, there is still the undercurrent of meanness that hurried along the show’s fall from grace.
Veep’s Series Finale and the Hollowness of Getting What You Want
“What did it cost you?” “Everything.”
It’s undoubtedly silly to try to draw too sharp a line between Veep’s series finale and Avengers: Infinity War, But for those of us steeped in both, it’s also awfully hard to disaggregate them. Selina Meyer is not Thanos, despite their parallel, all-consuming quests and shared status as snappy dressers. Selina’s goal is much more one of direct personal ambition, in contrast to Thanos’s faux-altruistic aims (and hers has a much lower body count to boot). And yet the costs, at least in a spiritual sense, are the same.
Posted in Other Sitcoms, Television
Tagged Episode Reviews, Julia Louis-Dreyfus, Politics, Veep
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Game of Thrones Melts “The Iron Throne” and Viewers’ Hopes in Its Series Finale
King’s Landing is in cinders. Tyrion Lannister, Jon Snow, and Daenerys Targaryen survey their work, responding with shock, horror, and triumph as befits where each of them stands. Now the three of them, in their own way, must decide what the future looks like, and what part they might play in it. In its final hour, Game of Thrones wallows in the aftermath of its fullest and final culling of those who stood between “The Iron Throne” and its biggest contenders.
Game of Thrones Proves that War Is Hell But Endings Are Even Harder in “The Bells”
The prelude to the final battle simmers at Dragonstone. Daenerys Targaryen bears the weight of her grief, having lost everyone close to her and sensing betrayal in everyone left. She’s ready to take King’s Landing, to rule by fear where love falters, and to accomplish all of this by any means necessary. But before the march to war, Tyrion tries to quell his queen’s rage, hoping to allow her to enact her long-awaited conquest while urging her to let the innocent go free when the day is won.
