Tag Archives: Spencer Monroe

The Walking Dead: The Division and Reunion in “Hearts Still Beating”


Since at least the middle of the show’s fourth season, The Walking Dead’s M.O. has been to divide and conquer. As the show’s cast of characters has grown, more and more often its episodes focus on just a handful of individuals, typically separated from the rest of the group. That makes the series’s season premieres and season finales (or mid-season finales), where everyone joins back together, feel almost like crossover episodes.

But it also makes them feel like reunions. The time apart for these characters doesn’t just give us a thrill when they link up once more, but makes us miss their interactions and shows us the value of their cooperation, and even their mere shared presence, through its absence. That fits the theme of “Hearts Still Beating,” which shows any number of survivors attempting to solve the season’s big problems on their own, trying to carry the entire load on their backs, only to realize that what they hope to achieve can only be accomplished by working together. “Hearts Still Beating” is not a great episode of The Walking Dead, but in this vein, it works for what show’s going for.

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The Walking Dead Repeats Itself to Death in “Service”

I enjoyed the season premiere of The Walking Dead better than most. I understand the complaints that it was too bleak, too cruel, and too hopeless, but to my mind, it made sense to embrace those elements in order to establish Negan, both a character and as a threat. There have been so many ineffectual villains on this show, so many antagonists who seemed like mere speed bumps along the way toward Rick and company’s inevitable victory. TWD needed to make a big introduction to convince the audience that Negan and The Saviors were something different, something dangerous and more serious.

I also didn’t mind the hopelessness of that opening episode. Sure, it’s difficult to watch our heroes being broken, to see characters we know and love brutalized while the bad guys take great joy in the effort. But shows like The Walking Dead need stakes. In order for the good guys’ eventual triumph to feel earned and meaningful, the series has to make its main antagonist not only someone whose defeat doesn’t seem preordained, but also someone who’s actually worth beating. The suffering at this point of the arc will, with any luck, pay off down the line when the protagonists strike their blow against Negan and his goons.

The only problem is that the premiere already felt like a lot. It gave us a lot of blood and guts, a lot of horrible acts, and a lot of Negan preening and chewing scenery. That worked as an opening salvo for the character and as the culmination of the build his debut, which had been bubbling up since the midpoint of Season 6. But it was a great deal to take in all at once. The viewer can only stand so much of that level of cruelty and velvet-trimmed venom before it starts to overwhelm.

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