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Tag Archives: Star-Lord
Guardians of the Galaxy Vol. 2 Divides and Conquers and Delivers More More More
As the Marvel Cinematic Universe continues to expand, each new franchise and sub-franchise must add more characters so as to provide new faces for the merchandise, and each fresh sequel risks becoming increasingly unwieldy and unmanageable. While Captain America: Civil War managed to thread that needle nicely, the tyranny of “more” still threatens to hobble each new franchise installment before it’s even left the spaceport.
To that end, Guardians of the Galaxy Vol. 2, a follow-up to the surprise 2014 hit, does feel overstuffed in places. It introduces two new major characters, flips a pair of baddies to the side of good guys, and still needs to service the five original Guardians of the Galaxy amid a host of new locales and novel threats. But for a franchise whose first entry brought several Star Wars comparisons, writer/director James Gunn succeeds in his follow up by employing the Empire Strikes Back method.
It’s not simply that Guardians 2 reveals the identity of Star-Lord’s father or spends time in caverns that turn out to be living organisms. It’s that Gunn splits his heroes up for most of the film, only to bring them back at the end for the raging climax. That tack helps balance the many needs of a film like Guardians 2 with several overlapping storylines, all of which center on the theme of discovering who your family truly is.
Humor, Charm, and Creativity Save Guardians of the Galaxy from Stock Storytelling
So much of Guardians of the Galaxy’s story is achingly standard issue. This isn’t the first film to feature a collection of rogues and nobodies reluctantly coming together to save the world, and it won’t be the last. The tale of the dissolute young man who eventually learns to fight for something greater than himself is a well-worn one, and the motley crew of suspicious characters slowly becoming a family is a well-known cliché. In other words, when Guardians came out in 2014, it didn’t exactly reinvent the wheel.
And yet, it is a film full of such charm, such character, such inventiveness in ways beyond its story, that it becomes incredibly easy forgive the ways in which it obediently marches through the usual blockbuster narrative progression. The audience will tolerate, and even enjoy, all the hoary tropes in the universe if you can couch them in a world, an attitude, and a cast of characters worth spending time with.
