Tag Archives: The Sopranos

20 Years Later, The Sopranos Is the New American Tragedy


Send ‘em home happy. If you spend season after season, year after year with a show and a cast of characters, you want their final notes to be pleasant ones. As viewers, we’ve also invested in them. We’ve committed to their journeys by that point. To have them end in pain or tears or frustration would be too much after all of that. And most series, no matter how dark or cynical they may be, oblige their audiences on that account.

In the 20 years since The Sopranos first took to the airwaves, scores of shows followed in its footsteps, imitating its dark-hearted approach, novelistic bent, and antihero bona fides. In the ensuing two decades, television’s level of moral complexity rose; the chances to see protagonists make ethically questionable choices soared, and examinations of the grim underbelly of everything that TV once made bright and clean became legion and fashionable. But for all the titans who emerged in Tony Soprano’s (James Gandolfini) wake, few if any have had the stick-to-your-guns conviction to finish their runs on a note so bleak, a loss so complete, or an ending of such unmitigated tragedy.

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Better Call Saul: The Small Interactions that Cause Big Ripples in “Expenses”


One of the best qualities of The Sopranos was how it would frequently depict a character having a small but meaningful interaction with another person, and then show how that moment could change their emotional state or plant some idea in their head that would stick with them throughout the episode. Often, the character would then take out those feelings on someone entirely removed from the original incident. It was part of the show’s deft emotional calculus, that captured the way thoughts and feelings flit around in the background of one’s mind, popping up at unexpected times or in surprising ways.

As much as the aptly titled “Expenses” is devoted to the tough financial situation Jimmy McGill finds himself in while suspended from the practice of law, it’s also devoted to that same idea — that one interaction, one exchange with another person, can reframe how you feel about someone or something, in a way that carries with you and cannot be easily erased.

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The Sopranos in “College”: The Seeds of the Show’s Spiritual Successors


The Sopranos is credited with ushering in a new “Golden Age of Television”. Its complex family dynamics, black-and-gray morality, and introspective bent were trademarks that set the show apart from its contemporaries. In its wake, a number of other shows emerged that embraced that approach and focused on antiheroes who, to one degree or another, were attempting to balance a double life. Two of these shows, Mad Men and Dexter, can draw a straight line from The Sopranos to their place in the television pantheon. In “College”, an episode from the groundbreaking drama’s first season, The Sopranos planted seeds that those two spiritual successors would have a hand in harvesting.

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