Category Archives: The Simpsons

The Simpsons and the Journalistic Battle between a Billionaire and an Eight-Year-Old in “Fraudcast News”

At heart, The Simpsons has always been part media satire. Usually the show would point its satirical lens at television as its medium of choice. The series, simply by existing, took the stuffing out of more typical sitcoms where families were nicer (not to mention richer), and most problems could be solved in an easy and heart-warming fashion. But as I discussed on The Simpsons Show Podcast, the show reserved just as much comic ire for the tired antics of Krusty the Clown, the ultraviolence of Itchy & Scratchy and, of course, the sensationalizing dispatches from Channel 6 news anchor, Kent Brockman.

So it’s natural that The Simpsons would eventually take aim at the broader media landscape, questioning who might take the reins of our sources of information and decide what kind of self-serving spin to add. It’s just as natural for the show to explore the counterreaction to that — the lone voices in the wilderness forging a real connection and trying to be heard above the din. And it’s the peak of both approaches to personify the former in the guise of Mr. Burns and the latter as li’l Lisa Simpson.

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A Brief History of Marge Simpson Versus Washington

You may think it’s a sign of our perpetually insane times that a member of the Trump administration somehow managed to kick up a feud with a cartoon character. Nevertheless, Trump’s Senior Legal Adviser, Jenna Ellis, recently tweeted that Democratic VP candidate Kamala Harris “sounds like Marge Simpson.” This prompted Marge, ever the consummate (albeit imaginary) professional, to issue a polite but cutting response, criticizing Ellis for resorting to name-calling, something she discourages in her young children, and for disrespecting suburban housewives.

That might seem like the latest bizarre cut from the never-ending “greatest hits” of 2020. But The Simpsons, and Marge in particular, have long found themselves entangled with real life political figures, most of whom, like Ellis, underestimated just who they were messing with.

Continue reading at Consequence of Sound →

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The Simpsons: Krusty’s Newfound Faith and Jewish Representation Abound in “Today I Am a Klown”

One of the many distinctive things about The Simpsons is that religion is a big part of its characters’ lives. The eponymous family is full of grousing but nevertheless consistent church-goers. Lisa wrestled with the Eighth Commandment. Homer chatted with the big man himself about life, the universe, and everything. Ned Flanders questioned his own usually unfailing devotion and, for better or worse, Apu’s Hindu beliefs have been a major element of his persona. Even Reverend Lovejoy has faced down his own growing apathy and waning commitment to his flock.

And, of course, the show features the world’s most famous Jewish clown. As I discussed on The Simpsons Show Podcast, Krusty (real name: Herschel Shmoikel Pinchas Yerucham Krustofsky) is an odd place to look for representation if you are, like yours truly, Jewish. He is venal, crude, and shameless. And while there’s occasionally good cause to sympathize with him, there’s rarely a reason to truly admire the guy as a symbol of Semitic humor or charm.

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The Simpsons Plays the Old Favorites with Sideshow Bob and a Former Foe in “The Great Louse Detective”


The Simpsons
has certain traditions that are never going away. As long as the series stays on the air (and in the good graces of the Disney corporation), there will always be Treehouse of Horror episodes. There will always be “the Simpsons are going to ____!” episodes. And, of course, there will always be Sideshow Bob episodes. The show may have changed a great deal over the past thirty years, but some things are too ingrained in The Simpsons’s DNA for the show to move on.

Thankfully, one of those indelible elements is Kelsey Grammer, whose mellifluous baritone has graced episodes both great and god-awful over his three-decade tour of duty. Fortunately, “The Great Louse Detective” leans more toward the former than the latter, if only just barely. As I discussed on The Simpsons Show Podcast, this episode manages to inch its way toward quality, due in no small part to the presence of Springfield’s favorite attempted murderer. (But we like you too, Fat Tony!)

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Why “The Frying Game” Is a Dark Horse Contender for The Simpsons’s Worst Episode Ever


Spare me your jockey elves. Forget your spring break alligators. Cast aside your amorous pandas and bar rags and even your Gagas. My poor lost souls, I beseech you to look upon thy screamapillar and weep — weep for us all.

Because “The Frying Game” may very well be The Simpsons’s worst episode ever.

As I discussed on The Simpsons Show podcast, I don’t make that pronouncement lightly. It’s hard to call “The Frying Game” overrated exactly — forgotten is probably more accurate — but it’s rarely brought up in discussions of the series’s nadir. And yet it deserves to be ground into the dirt like the fetid excuse for televised refuse that it is. What the episode lacks in the casual cruelty of other contemporary Simpsons outings, or the aimless racism of the show’s more regrettable international jaunts, it makes up for in being emblematic of everything wrong with the series at this point in its run. It is a nonsensical, irritating, embarrassing blight upon the face of what was once the greatest show on television.

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The Simpsons Is Born Again in “She of Little Faith”

Season 13 was a time of transition for The Simpsons. The show would burn off the last handful of episodes overseen by superfan punching bag, Mike Scully. Al Jean (who’d supervised seasons 3 and 4 with writing partner Mike Reiss) would return to take the reins after almost a decade away. And the show gradually shifted from its manic decline to its comfortable persistence. The result, as I’ve discussed before, was a season of television that called back to the classic era Jean had been a part of, that still found itself subject to some of the worst habits of the Scully administration, and that previewed the steady anodyne march of years that would possess the show for the next [gulp] two decades.

But as I discussed on The Simpsons Show Podcast, the opening episode of Jean’s second tour of duty, “She of Little Faith”, gave fans a glimmer of hope. Make no mistake, the episode still has some of the telltale signs of the prior regime’s failings. The pacing is a little nuts. There are some overly cartoony gags. And at times, there is still the undercurrent of meanness that hurried along the show’s fall from grace.

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“Simpsons Safari” Represents the Supreme Laziness of The Simpsons’s Decline


The greatest sin of Mike Scully’s time in charge of The Simpsons — that period from season 9 to season 12 when the show fell from grace — isn’t what you might think. As I discussed on The Simpsons Show Podcast, it’s not the show’s humor, which became vastly more hit-or-miss in that four year stretch. It’s not the characters, who grew more and more flat and caricatured under Scully’s reign. It’s not the stories, which became ever more disjointed and rambling. And it’s not even the extra zaniness, which frayed whatever remained of the series’s thin tether to reality.

It’s the laziness, the sloppiness, the sense that the people making what had once been the greatest television show of all time had just kind of stopped caring.

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The Simpsons Kills Off Maude, But Saves Ned in “Alone Again, Natura-Diddily”

The death of Maude Flanders on The Simpsons was a decision born of commerce, not of storytelling. A pay dispute between Fox and Maggie Roswell, who voiced Maude for the show’s first decade on the air, is the reason the series killed off Ned’s wife. And it shows.

As I discussed on The Simpsons Show Podcast, her death veers somewhere between “cartoon gag” and “afterthought.” In fairness, Maude was never one of the show’s most prominent or interesting characters. While one could fault the writers’ room for not fleshing her out more, particularly on a series where well-developed female characters are vastly outnumbered by their guy counterparts, the fact is that by the show’s eleventh year, all we really knew about Maude is that she was religious, provincial, and a bit of a stick in the mud.

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“Thirty Minutes Over Tokyo” and the Inscrutability of The Simpsons’ Fall From Grace

There’s a cottage industry devoted to trying to explain how and why The Simpsons fell from greatness. Every year or so, there’s a new YouTube video, or multi-part essay, or investigative deep dive that claims to have the answer for what made the show plummet from its perch as a pure television achievement to a series that became nigh-unrecognizable, both to casual audiences and the show’s biggest fans.

But as I discussed on The Simpsons Show Podcast, the truth is that there isn’t one answer to that question, let alone an easy answer. Everything from an exodus of talent, to a shift in the approach used to make the show, to the inevitable cracks that emerge in long-running series, contribute to the “why” part of it. And elements as varied as differences in the storytelling, technological changes in the animation, shifts in the characters’ personalities, and changing trends and norms in T.V. humor contribute to the “how” of it.

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The Simpsons Botches the Relationship Between Homer and His Daughter in “Make Room for Lisa”

Homer and Lisa have the richest, most complicated relationship on The Simpsons. The series will no doubt continue doing Homer and Marge relationship episodes until the sun burns out, and Marge and Lisa have an undeniably special kinship, and Homer and Bart never fail to make a stellar comic duo. But Homer and Lisa are complete opposites who, nevertheless, love each other dearly. That means there’s always fertile ground to cover about how a father and daughter learn to relate to one another and, gradually, understand each other a little better.

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