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Category Archives: The Simpsons
The Simpsons and the Division of Al Jean: “Little Girl in the Big Ten” (S13E20)
It’s fairly easy to divide up the first twelve years of the The Simpsons, into different eras based on who served as the showrunner for each season. Matt Groening, James L. Brooks, and Sam Simon established the show in its first two seasons. Al Jean and Mike Reiss took the series to new heights in Seasons 3 and 4. David Mirkin brought a more joke-heavy style in Seasons 5 and 6. Bill Oakley and Josh Weinstein ran the show with a more experimental bent in its seventh and eighth seasons. And finally, Mike Scully presided over the series’ creative decline in Seasons 9-12. Each period within this time frame has its own style and sensibility that can be traced back to the individuals in charge.
After that, however, things get tricky. Al Jean returned as showrunner for Season 13, and instead of the usual two-to-three year tour of duty on the job, he has proceeded to hang onto that title for over twelve years, producing more than 250 episodes in that time.
That’s nearly half of the show’s run, and it’s much more difficult to chop up those seasons up into discrete eras. Some of the show’s most ardent fans have thrown around terms like “Early Jean,” “Late Jean,” and “the HD era.” Some have tried to use The Simpsons Movie as a dividing line during Jean’s tenure. But it’s much harder to classify the gradual, sometimes rocky, evolution of the show under a single individual than it is to note the sharp changes in direction that came when different showrunners each brought their distinct visions for the series to the table.
NFL Stereotypes via The Simpsons
Posted in Quick Hits, The Simpsons
Tagged Baltimore Ravens, Chicago Bears, Cleveland Browns, Dallas Cowboys, Detroit Lions, Green Bay Packers, Jacksonville Jaguars, New England Patriots, New Orleans Saints, New York Jets, NFL, Oakland Raiders, Philadelphia Eagles, San Diego Chargers, San Francisco 49ers, Seattle Seahawks, Tennessee Titans
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Can Greatness Just Be Funny? – The Simpsons and “Marge on the Lam” (s05e06)
Mike Scully is, however unfairly, the bête noire of The Simpsons in the eyes of the show’s most ardent fans. Scully was the series’ showrunner for seasons 9-12, and he shoulders much of the blame for the show’s decline. One of the most frequent criticisms leveled against Scully is that he had no mind for story or character. Instead, the episodes under his watch have been slammed as nothing more than joke after joke with no deeper grounding in storytelling or consistent characterization to add color or depth to the comedy.
But Mike Scully was hired by a man who has both faced similar criticisms and presided over some of the show’s peak years. David Mirkin joined The Simpsons as the series’ showrunner for seasons 5 and 6. He brought with him a brand new staff, including Mike Scully, after the departure of most of the show’s stalwart writers from the first four seasons.
Mirkin was known for having few concerns about realism in The Simpsons. His only writing credit on the show is for “Deep Space Homer” an outlandish (and subsequently lampshaded) tale where Homer’s angry crank calls somehow lead to him joining N.A.S.A. and launching into space with Buzz Aldrin. While the show’s most devoted fans look back on Mirkin’s tenure fondly, some of those same diehards point to this lack of grounding and diminish him in comparison to other showrunners from the series history. In fact, a recurring criticism of David Mirkin is that he was merely “Mike Scully with better jokes.”
“Marge on the Lam” was the first episode produced under his watch, and it does little to contradict this narrative of Mirkin leading a “nothing but gags” administration. The episode is jam-packed with jokes, many of them pretty outrageous, and story and heart clearly take a backseat to the humor.
Posted in Television, The Simpsons
Tagged David Mirkin, Mike Scully, The Simpsons Season 5
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The Simpsons – Moonshine River (s24e01) | The Andrew Review
“I’m not gay. I’m not anything yet.” Bart Simpson’s nerdly friend Martin said those words in a Season 16 episode and reminded us that the children of Springfield have had a surprisingly robust romantic life for a pack of eight-to-ten year olds. Very few cartoon characters age, and for most animated shows, that’s not much of a problem. But when the audience has been watching a show’s adventures for more than two decades and yet the characters technically haven’t aged a day, a certain disconnect develops.
That’s why it’s a little strange that the premise of The Simpsons Season 24 premiere, “Moonshine River,” is a wistful look back at Bart’s halcyon, prepubescent loves. We’ve seen the characters on The Simpsons have a sizable number of adventures and go through a healthy dose of character development in the 500+ episodes the show has aired so far. Yet the status quo is supposed to be roughly the same as when the series started.
Granted, the blink and you miss it cameos from Sarah Michelle Gellar (Gina from “The Wandering Juvie”), Natalie Portman (Darcy from “Little Big Girl”), Anne Hathaway (Jenny from “The Good, the Sad, and the Drugly”), and Sarah Silverman (Nikki from “Stealing First Base”) portend that this episode was not meant to be a particularly deep look back at Bart’s nascent yet prolific love life. But it’s still a bit odd to watch Bart reminisce about his collection of old flames as a wee fourth-grader.
Posted in Television, The Simpsons
Tagged Bart SImpson, New York City, Zooey Deschanel
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Futurama and its Fanbase of Nerds
Futurama is a television show for nerds. Oh sure, its old cushy slot next to Family Guy on Adult Swim may have attracted a loyal cadre of frat boys and absurdist-loving insomniacs, but the heart of the fanbase will always lay with the poindexters and nerdlingers.
That’s why I was taken aback by the glaring scientific inaccuracies in the most recent episode of Futurama entitled “A Farewell to Arms.” For starters, the Planet Express crew chased after a pair of Fry’s lucky (and only) pants, that have been accidentally tethered to a weather balloon. As the trousers and their pursuers passed into the far reaches of space, the balloon popped. But instead of Fry’s pants floating listlessly in the vacuum of space, they tumbled gracefully back to Earth, managing to land a hop, skip, and a jump from where they were launched, entirely unscathed from their trip back through the planet’s atmosphere.
Even worse, the climax of the episode involved Mars passing so close to Earth that people could jump back and forth from one planet to the other, and suffered no ill effects in the process. There was no catastrophic event or gravitational catastrophe from the two large bodies side-swiping each other. Nor was there any issue with the fantastic speed that the red planet would have to be traveling, likely resulting in a collision that would have devastated much of the globe, let alone the denizens of New New York. The entire exercise prompted me to utter a personally oft-used phrase that was originally coined by Futurama itself – “Windmills do not work that way!”
Posted in Other Animated Shows, Television, The Simpsons
Tagged Futurama, Lucy Lawless, Nerds, Science
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The Simpsons – The Man in the Blue Flannel Pants (s23e07) | The Andrew Review
Parodies are often a gamble. You have to hope that the audience understands the reference, and enjoys the in-jokes and homages to other works. If not, you have to hope that the story or characters you’re referencing are solid enough to provide the backbone of an episode on their own, otherwise you are asking for a call-and-response that the audience doesn’t know how to answer.
This was the biggest problem with tonight’s episode of The Simpsons, “The Man in the Blue Flannel Pants.” The episode is essentially one long reference to AMC’s Mad Men, the award-winning drama about advertising executives in the 60’s. In this episode, Homer becomes the accounts manager for the power plant, wearing under the daily grind of glad-handing and schmoozing with the plant’s clients. The homage is replete with a guest appearance from Mad Men’s John Slattery as the outgoing account manager. Unfortunately, despite the fact that it has been on my list for some time, I have never seen Mad Men, and it made the episode feel a little threadbare to me.
Posted in Television, The Simpsons
Tagged amc, Bart SImpson, don draper, Homer Simpson, John Slattery, mad men, parody, The Simpsons Season 23
4 Comments
How to End the Simpsons – Eternal Moonshine of the Simpson Mind (s19e09)
Someday, The Simpsons is going to end.
As a diehard fan, even one who has some significant misgivings about the current state of the show, that’s a tough pill to swallow. The Simpsons has been on as long as I’ve been watching television. Even at its lowest lows, it’s been the small screen version of comfort food for me, and sooner or later our favorite family will sign off for the last time.
If show runner Al Jean is to be believed, that might not be for another twenty-five years. Still, the day is going to come, and I think it’s close on the horizon. With the recent contract negotiation, standoff, and finally renewal through Season 25, the end of the show appears to be on the minds of those who work on and produce it. Whether it’s threats to pull the plug in order to prompt salary cuts or requests for a share in the back end profits of the show, those involved seem to have a not-too-distant endpoint in mind.
This begs the question – how do you end a show that will have been on television for a quarter of a century and produced more than five-hundred episodes? How do you sum up, honor, and conclude twenty-five years worth of adventures? It’s a tall order to say the least.
Conan O’Brien and The Simpsons: My Idea
Conan guest starred on the show in 1994 in the episode "Bart Gets Famous."
Many people are surprised to learn that beloved television personality Conan O’Brien, of “I’m With CoCo” fame, used to be a writer for The Simpsons. It’s true. The job that dear old Conan held before taking over “Late Night” was that of class clown in the Simpsons’ writers room. Even then, he was well-regarded among his colleagues for his zany antics, and he penned some of the show’s best-remembered episodes like “Marge vs. the Monorail.”
Now, at a time when the show is facing declining ratings and a hit and miss creative side of the equation, many of the diehard fans have suggested trying to talk Conan into writing another episode for the show. The fine folks at NoHomers have taken this to heart with their latest edition of their Just D’oh It contest. The contest presents fans with a fun Simpsons related question, and awards prizes to the contestants who do the best job of “answer[ing] in a creative and fun way.” This edition’s question is a pretty straightforward one: If the writers got Conan O’Brien to write one more episode, what would it be about?
I have to admit, despite the rampant nature of my Simpsons nerdiness, this is the first time I have entered the “Just D’oh It” contest. As a big fan of both Conan and Our Favorite Family, I thought it would be fun to give it a try. Here’s what I came up with.
The Andrew Review: The Simpsons – The Great Simpsina (s22e18)
Lisa befriends an old magician voiced by Martin Landau in Season 22's "The Great Simpsina"
The Simpsons have tangled with magic and magicians a few times before. Bart took it up as a hobby in “The Great Money Caper.” Milhouse was attacked by cats in an ill-fated attempt to pull one of his hat in “$pringfield.” Even Homer interrupted a show by Penn and Teller in in “Hello Gutter, Hello Fadder,” leaving Teller worse for wear. Now, it’s Lisa’s turn to get in on the act in Season 22’s “The Great Simpsina.”
In this episode, The Simpsons take home a boatload of peaches, and in the kids’ desperate attempt to get rid of the excess, Lisa runs into an old magician. This graying illusionist named The Great Raymondo (voiced by Martin Landau) takes a shine to her, and eventually takes Lisa on as his apprentice. After he teaches Lisa the secret to his greatest trick, one passed down to him from Houdini himself, she unwittingly reveals it to his greatest rival. – Craig Demon, a thinly veiled parody of Criss Angel. From there, Lisa tries her best to make it up to her magical mentor, and stop his impetuous young rival.
I really enjoyed this episode, and it stands out as one of the finest that Season 22 has had to offer. It had an engaging story, a great use of guest stars, and laughs galore. The show was really firing on a cylinders here, and the end result is not only a funny, but a well-rounded episode that kept me laughing and invested the whole way.
Posted in Television, The Simpsons
Tagged Lisa Simpson, Magic, Magicians, Martin Landau, Penn and Teller, The Simpsons Season 22
9 Comments
